La Voix De L

A little boy Anatole lives in 1960s in the steppe in Kazakhstan with his parents-archaeologists. One day he witnesses the accidental death of his brother, this drama traumatizes the boy so much that he loses his ability to speak. Once he meets an old Kazakh who will teach him to hear again the world around him and will teach him how to speak again. The whole life of Anatole depends from now on from his ability to hear. His ear connects him to the world. 50 years later, the steppe calls him again.

Jacques Lemonnier of IBM France, Francois Dalle of L'Oreal and other ultrapowerful French moguls are surprisingly candid -- and cold-blooded -- as they discuss their attitudes about business in this startling 1978 documentary. After sounding off about unions, strikes, hierarchy and management, the subjects realized how callous they sounded and managed to convince the French government to suppress the film.

Rim, a Tunisian woman, works in France as an interpreter for asylum-seekers. Every day, she translates the stories of exiled men and women whose voices question her own history.

To follow a new trend initiated by American advertisers, a female director, Margaux Bonhomme launches a casting to find women who speak, with the collaboration of casting director, Alexis Millet.

One day, all the windows in the City disappeared... Then the rain started... No matter what people tried, nothing could stop the water. Soon, disease spread, robbing people's abilities to speak; the endless rain killing all other forms of communication with its acidic torrent. This was a time when dialogue became a new challenge. When everything we knew had to be reinvented. This was also a time, in the midst of a chaotic, decaying environment, when a man tried to cope with the loss of his former lover.

At the heart of the sea bed, between rocks and corals, primitive algae undulate, lulled by the muffled and roaring sound of the currents. Up there, on the surface of the water, something extraordinary has just appeared: a voice. So soft and seductive that it is unlike anything we have ever heard before.

Henri Grouès, known as Abbé Pierre, had a life of commitments: youth among the Capuchins, resistant during the Second World War, then deputy for Meurthe-et-Moselle. The creation of Emmaus will mark the beginning of its fight against social inequalities, its appeal launched during the difficult winter of 54 will have a resounding echo in our society. This retrospective retraces the life of Abbé Pierre, archives and testimonies show it on all fronts of the fight against misery and injustice, for the support of the poorly housed, the excluded.

A family settles in an old castle with plans to, among other things, turn its former cemetery into a swimming pool. However, soon they find out that, in ancient times, pagan rituals took place there involving the sacrifice of young virgins. When an evil entity starts luring young boy Mark into killing himself in order to become the next sacrificial offering, something must be done to save him. Written by Bob Baker and Dave Martin who wrote many episodes of Dr. Who.

A man does not dare to declare himself homosexual. So he can only dream in places where water flows.

Qhapaq Ñan, known as the Great Inca Road, is an ancient network or roads spanning more than 8,000 miles, running through the heart of the Andes, from the ocean and deserts all the way to Machu Picchu. Constructed hundreds of years ago during the Inca Empire, this vast transportation network still weaves its way through modern-day Peru and Ecuador. More so than other remnants of the Inca civilization, Qhapaq Ñan is a symbol of a common identity that nourishes the dream of the Andean people to this day - to revive their cultural inheritance following centuries of European domination. As this visually striking documentary takes us along the Great Inca Road - revealing its contours, its history, and its secrets - we witness a different image of the Andes and its people.

How do you define dubbing? What characterizes this field? These actors with golden voices have marked several generations of audiences, in movies, on TV, and even on the Internet. 10 of them have generously accepted to talk about their job as actors specialized in dubbing, their experiences, but also their different points of view.

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…